How To Draw Shoes In Marvelous Designer

Using Marvelous Designer to create fabric elements for a character

JH Park talks usa through the workflow involved in the textile cosmos process.

This is simply a prototype test using the Marvelous Designer program.

I used Marvelous Designer to create non only cloth, merely too a waist handbag, a scarf, and fabric that shows micro-item such equally wrinkles and stitches.

Footstep 1. Importing files

First, import the OBJ female person model (Avatar) from your chosen 3D software, into Marvelous Designer. I use the Opencollada or Geometry Enshroud format to import both my starting model and the animations with information technology.

The model imported into Marvelous Designer

Step 2. Modeling the shirt

I start creating the innermost shirt first since information technology should be first layer exterior the model's physical skin.

Marvelous Designer was really created for manner designers who want to preview material designs, and then information technology's always improve to understand the basic blueprint and shape of your desired clothing to create an accurate shape of the cloth. I don't think it's necessary to understand /exactly/ how fashion designers understand patterns to produce the wearable though, because you can always create the proper CG habiliment without perfect knowledge.

This will be the final look of the inner shirt

This will be the final await of the inner shirt

Step iii. Textile patterns

In order to create proper shapes, I search for fabric patterns on Google. You can find basic patterns for shirts, pants, dresses, and and then on, from the internet very hands. I besides use several tutorials from the following link to create the patterns: Here

At that place are many instances where you'll exist able to make internal cuts, as indicated past red circles in this prototype. Marvelous Designer uses the width of these cuts rather than using the vertexes used in most 3D software such as 3ds Max or Maya.

Using researched patterns as inspiration for the clothing

Step 4. Working with patterns

It's necessary to create dissimilar lengths on the seam lines to create the puffed sleeve shown in this image. Every bit you can see here, the lines marked with red and yellow colour show how the two parts should be attached. The excess fabric on the sleeve role volition naturally ruche when fitted to the smaller bodice section to create a puffed sleeve.

Creating the puffed sleeve using different length seams on the pattern

Creating the puffed sleeve using different length seams on the design

Step 5. The final shirt

I then apply the color texture to the final shirt model as shown here. The UVs are already laid out based on the shape of the design in the pattern view, though y'all can change it from some other 3D software.

The assembled shirt with a patterned texture

Step 6. Modeling the skirt

The skirt is created easily by simply adjusting the length of the clothing pattern to create the amount of wrinkles I desire.

Adjusting the pattern to create the right look

Adjusting the pattern to create the right wait

Stride vii. Finishing the skirt

I utilize the color texture to the final skirt model. Again, the UVs are already laid out based on the shape of the pattern in the pattern view, unless you want to change it from another 3D software.

Adding texture to the skirt

Adding texture to the brim

Step 8. Modeling the vest

The vest was created side by side. I 'Freeze' everything except for the vest to get in easier to select and simulate the vest without changing whatsoever of the other inner clothing parts. I duplicate the verbal aforementioned patterns and use them for the padding as indicated by reddish rectangle. It's very easy to shape the volume with the tools in Marvelous Designer. I as well create the patterns in Marvelous Designer and add together some hooks at the eye of the vest (equally indicated by yellow line).

Working on the details of the vest

Step 9. Finishing the belong

I use color texture to the terminal vest model as shown here. I also use ZBrush to project the organic patterns onto the vest at the final phase. The UVs are already laid out, based on the shape of the design in the blueprint view, though you lot can modify it from another 3D software.

The final look of the vest

Step 10. Modeling the pocketbook

I likewise create the bag in Marvelous Designer using padding techniques by Design Cloning.

Using padding techniques to create the bag

Using padding techniques to create the pocketbook

Stride eleven. The final bag

Equally before, I utilise the color texture to the final pocketbook model. The UVs are already laid out based on the shape of the pattern in the pattern view, though you can change it from another 3D software if you need to.

Adding the textures to the final bag model

Adding the textures to the terminal bag model

Stride 12. Creating the scarf

The scarf is created terminal since, as it volition be the outer-most accessory of the clothing. I create it using the same padding techniques as used on the bag.

Using the padding techniques to create the scarf

Step 13. Shaping the scarf

I use the Multi-pin (marked green in this paradigm) to hold the shape while I tighten the residuum parts around the Multi-pin expanse.

Using Multi-pin to hold parts of the fabric and shape them

Using Multi-pin to concord parts of the fabric and shape them

Step xiv. The last scarf

As before, I and then apply the colour texture to the final scarf model. The UVs are already laid out based on the shape of the pattern in the pattern view, unless you want to alter it from another 3D software.

The final shaped, textured scarf model

Step 15. Moving to ZBrush

The rest of the workflow is and then completed in ZBrush and 3ds Max. I use ZBrush to add the high particular in the clothing mesh, and and then extract a Normal map and Displacement map from it.

Moving over to ZBrush to work on the texture details

Step xvi. On to MARI

MARI is used for the texture procedure since it has strong texture cosmos tools, and V-Ray in 3ds Max adds an extra quality to the final return. V-Ray V3 has improved its Ray-tracing rendering techniques, which helps a lot.

Using MARI and V-Ray to add an extra quality to the render

Using MARI and V-Ray to add together an extra quality to the render

Pace 17. Maps and render versions

These show the maps I use (Deportation Map, Normal Map, Color Map, AO Map), and the unlike rendered layer images I create at the end of the process, and so that I tin can composite them together to finish the terminal image.

Maps and different renders ready for compositing

Step 18. Terminal thoughts

I am a 3D generalist and mostly spend my time on lighting and furnishings. I accept been impressed by the whole process of Marvelous Designer, with its powerful simulation modeling process for wear creation. I am sure that many artists will experience comfortable plenty to control the programme to create material elements in both quality and quantity.

Marvelous Designer is designed for the artists to create successful virtual article of clothing in both quality and quantity. I recommend you employ the following techniques for grapheme clothing; wrinkles, padding, and layer simulation.

The clothing creation process